The Pipeline Project Group · Stage 03 — Market

A financed story, carried to its market.

Development and finance mean little if the work never reaches an audience. The Market stage maps the routes a finished story travels — through distribution, festivals and international audiences — so it earns and lasts beyond first release.

The pipelineStory→Finance→Market
01

Distribution

A credible route from finished work to audience.

Map every credible pathway the story can travel — cinema, broadcast, streaming, retail, direct-to-audience — and name the gatekeepers and economics behind each.

What you'll need

Distribution plan, territory rights map, delivery budget, buyer conversation log.

0 of 4 steps done

Apply for Distribution

What it looks like

  • A named lead window and platform for release
  • A shortlist of distributors, agents or platforms in conversation
  • Territory rights mapped and available to license
  • Delivery, marketing and platform costs budgeted per window

How to get there

Who you'll work with

Sales agents→Distributors→Broadcasters→Streaming platforms→Direct-to-audience
02

Festivals & Prestige

Position the work for festival circuits and prestige.

Build a festival and prestige strategy that earns critical attention, awards eligibility and the industry visibility that draws distributors and partners in.

What you'll need

Festival shortlist and deadlines, premiere strategy, press plan, screener package.

0 of 4 steps done

Apply for Festivals & Prestige

What it looks like

  • A festival shortlist matched to eligibility and audience fit
  • Premiere status protected and deadlines diarised
  • A press and awards plan with someone accountable for it
  • Selection converted into distributor and sales interest

How to get there

Who you'll work with

Festival programmers→Publicists→Awards strategists→Sales agents
03

International Audiences

Carry the story to markets beyond home.

Plan how the work reaches audiences across territories and the diaspora — through sales territories, co-production reach, and direct community building that lasts beyond release.

What you'll need

Territory plan, audience and community data, release calendar, licensing record.

0 of 4 steps done

Apply for International Audiences

What it looks like

  • Priority territories and diaspora audiences named
  • A release cadence planned region by region
  • A direct audience channel you own and can grow
  • Territory performance tracked and re-licensed where it travels

How to get there

Who you'll work with

International sales→Territory distributors→Community platforms→Touring partners

International audiences

Built to travel across regions and the diaspora.

A strong local story becomes stronger when it connects to international finance, partners and audiences. Story Forward surfaces where a project could plug in — and the Market stage carries it there.

Partner regions

Canada→Europe→United Kingdom→Middle East→Africa

Start at the beginning

Markets open for stories that are ready and financed.